Release Date: 01/01/15

Hofmann has tried all the possibilities of a libretto. For the most part, the opera progresses as a melody-free but care

Hofmann has tried all the possibilities of a libretto. For the most part, the opera progresses as a melody-free but carefully rhythmic adhd-modernism, but at times stands still as oppressive monologues and, in a way, even arias. The rhythm of the music is so precise and the vocal expression of both the singers and the band is so extreme that the imagination is forcibly drawn to outline the stage events.